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February 28, 2007

PS3 Song - How to Kill a Brand

This anti-PS3 video is very good. Slick, malicious, funny and enough truth to wound. We picked it up in our top 20 global videos on Sunday, just 4 days after it was uploaded to YouTube.   A few days later, it's been all over the blogosphere (Note to Sony: have you any idea just how influential some of those blogs are?), it's clocked up 300,000 views and nearly two thousand edgy comments, and it's apparently been making some waves down at Sony's HQ this afternoon.

If I were Sony, I'd hire a talented comic singer-song writer and a good videographer to come up with a response. And fast. I mean, the target's Microsoft, for pete's sake, how hard can it be? Make a spoof advert for their new combined gaming-console-cum-cell-phone.  Or something.

Oh, and I'd also buy the keyword "PS3 Song" on AdWords and do something smart with it. These surely aren't the search results Sony wants us to see. Tell me how great you are. Laugh about the clip. Offer me a discount if I do something. But for god's sake, don't sit their paralysed, giving me radio silence and pretend like it's not happening.

Hey, you know what. Screw making a response piece. Just post and promote this video of Steve Ballmer screaming and dancing like a monkey everywhere. Once the sweaty balding mania has got inside your head, it's very hard to dislodge, and very hard to buy Microsoft again.  That would take seconds to execute and cost no more than a few hundred dollars.


February 13, 2007

Introducing The Book

No. 6 in the chart today and yesterday, but only 40,000 views so far, we predict this is going to get bigger.

*Update*

The original video was blogged over 600 times and did I think hit a million views before it got pulled. I've changed the embed code to a reposted version of the video, which is currently on about 60,000 views.

February 12, 2007

Chart Widget

We've  just  launched a chart widget  so you can embed today's top 20 videos in the sidebar of your blog (see right) or in a post like this one (below).

It's dynamic, so there'll be fresh stuff in every day. Please tell us which blogging platforms support this...and which ones don't!!!

February 10, 2007

Not All Views Are Equal

From an interview with Scott Kirsner, of the newly opened up Variety.

Variety:
What are the challenges of measuring the popularity of videos across multiple sites? Is a view on MySpace really the same thing as a view on Revver or YouTube?

VVC: No, different sites count a video as being viewed at different points in the viewing cycle, and of course some sites still don't publish view data at all. It's precisely because of the difficulty of verifying and normalising view data that we don't use view data as the basis for our video charts. We collect our own data, measuring the number of people embedding and linking to videos on their own blogs and personal websites. This buzz metric lets us publish a list of the most popular videos that's unaffected by definitional discrepancies, view-fraud or marketing expenditure.

Variety: Do you feel that most sites' data about the number of times a video is viewed is pretty reliable? 

VVC: No, absolutely not. With many video sites, you can simply open up the page with your video on it and set your browser to automatically refresh the page. This is a really simple way to inflate viewing figures, requiring almost no specialist knowledge.  We estimate that at least 200,000 videos a day are currently being uploaded to video sharing sites. Getting your video noticed amongst this ocean of content is hard. So the prize for getting your video onto the homepages or most viewed lists of MySpace or YouTube is huge, and the incentive to game these sites really strong.

To combat this, some video sites are beginning to use third parties to verify view figures, particularly in cases where a marketing agency has paid to have their video campaign placed and promoted on the site.

Variety: What about compiling an accurate number of views for a video that may be posted on multiple sites, by multiple people?

VVC: That's hard. We have tools to help us detect the same video on multiple sites (or on the same site, posted by different people) and we aggregate figures where this happens. Some of the video sites are working on audio and visual 'fingerprinting' but these techniques are being developed chiefly to detect copyright-infringing clips. They haven't yet been proven to work at Internet-scale and don't address some of the subtler issues of content identity that we're concerned with. From our point of view, a longer clip or a differently edited clip may be materially different content but fingerprinting techniques, which are based on sampling, are not designed to care about these issues, because they're not particularly salient to the enforcement of intellectual property rights.

Variety: It seems like we don't really know much about how much video content is being viewed on sites like  NBC.com or BBC.co.uk or ABC.com, do we? Those sites don't seem to present the number of views they deliver, for a show like "Lost," for example, as public information.... 

VVC: This is something we'd like to work on, but it will require greater co-operation from the sites themselves. We'd be delighted to talk to any large media outlet that delivers a significant number of video streams.

Variety:
Are there other problems or barriers that still exist, in terms of measuring which video content people are watching?

VVC: Sure. There are other well-known deceptive practices designed to increase viewing figures. Many videos are misleadingly titled. And there's an increasing tendency to manipulate the thumbnail image produced for the video by briefly inserting an unrelated still image halfway into the video. Images of bare skin tend to work pretty well. And deceptive practices aside, legitimate, paid-for marketing activities are increasingly being used to drive traffic to commercially produced video content that's hosted on YouTube or MySpace. So it's incredibly difficult to get a real measure of what, in a grass roots, organic sense is truly popular just from viewing figures alone.

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